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| Spider-Man: Turn Off the Dark ： ウィキペディア英語版 |
| productions = 2011 Broadway| awards = }}''Spider-Man: Turn Off the Dark''''' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.
| productions = 2011 Broadway
| awards =
}}
''Spider-Man: Turn Off the Dark'' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.〔Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.〕
In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.〔Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010.〕 Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.〔Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011〕〔Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.〕
''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.〔Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011〕 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.
The show’s Broadway run concluded on January 4, 2014.
== Description ==
Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."〔Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010.〕 The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater."〔 Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."〔〔Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010.〕 Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."〔Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011.〕 A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."〔("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.〕
The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat.〔 The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel.〔 The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".〔Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011〕 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「| productions = 2011 Broadway| awards = }}'''''Spider-Man: Turn Off the Dark''''' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.」の詳細全文を読む
'Spider-Man: Turn Off the Dark'' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.
| productions = 2011 Broadway
| awards =
}}
''Spider-Man: Turn Off the Dark'' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.〔Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.〕
In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.〔Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010.〕 Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.〔Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011〕〔Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.〕
''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.〔Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011〕 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.
The show’s Broadway run concluded on January 4, 2014.
== Description ==
Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."〔Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010.〕 The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater."〔 Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."〔〔Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010.〕 Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."〔Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011.〕 A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."〔("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.〕
The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat.〔 The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel.〔 The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".〔Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011〕 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「| productions = 2011 Broadway| awards = }}'''''Spider-Man: Turn Off the Dark''''' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.」の詳細全文を読む
' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.
| productions = 2011 Broadway
| awards =
}}
''Spider-Man: Turn Off the Dark'' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.〔Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.〕
In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.〔Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010.〕 Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.〔Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011〕〔Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.〕
''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.〔Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011〕 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.
The show’s Broadway run concluded on January 4, 2014.
== Description ==
Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."〔Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010.〕 The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater."〔 Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."〔〔Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010.〕 Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."〔Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011.〕 A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."〔("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.〕
The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat.〔 The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel.〔 The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".〔Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011〕 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
■ウィキペディアで「| productions = 2011 Broadway| awards = }}'''''Spider-Man: Turn Off the Dark''''' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.」の詳細全文を読む
'Spider-Man: Turn Off the Dark'' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.">ウィキペディア（Wikipedia）』
■ウィキペディアで「| productions = 2011 Broadway| awards = }}'''''Spider-Man: Turn Off the Dark''''' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.」の詳細全文を読む
' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.">ウィキペディア（Wikipedia）』
■ウィキペディアで「| productions = 2011 Broadway| awards = }}'''''Spider-Man: Turn Off the Dark''''' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.」の詳細全文を読む
'Spider-Man: Turn Off the Dark'' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.">ウィキペディアで「| productions = 2011 Broadway| awards = }}'''''Spider-Man: Turn Off the Dark''''' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.」の詳細全文を読む
' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.">ウィキペディアで「| productions = 2011 Broadway| awards = }}''Spider-Man: Turn Off the Dark''''' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.」の詳細全文を読む
'Spider-Man: Turn Off the Dark'' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.」の詳細全文を読む
' is a 2011 musical with music and lyrics by U2's Bono and The Edge, with arrangements and orchestration by David Campbell, and a book by Julie Taymor, Glen Berger, and Roberto Aguirre-Sacasa. The musical is based on the Spider-Man comics created by Stan Lee and Steve Ditko, published by Marvel Comics, as well as the 2002 film about the character, and the Greek myth of Arachne. It tells the origin story of the character, his romance with Mary Jane and his battles with the evil Green Goblin. The show includes highly technical stunts, such as actors swinging from "webs" and several aerial combat scenes.Healy, Patrick. ("Concussion Sidelines ‘Spider-Man’ Actress" ). ''The New York Times''. December 3, 2010. Retrieved December 6, 2010.In the year before it premiered, the show gained notoriety for its production troubles, related to both the difficulty of its stunts and frequent retooling of the book and score. Both rehearsals and previews went on longer than expected, and several actors were injured during the process. At the first preview performance in November 2010, these technical challenges caused several lengthy interruptions.Healy, Patrick. ("'Spider-Man’ Takes Off, With Some Bumps" ). ''The New York Times''. November 28, 2010, 2010. Retrieved December 18, 2010. Previews were suspended for a month to overhaul the show after negative reviews from preview audiences and critics. Director Julie Taymor, whose vision had driven the original concept of the musical, was forced to leave the production in March 2011, and creative consultant, Philip Wm. McKinley was brought in to redirect portions of the show. The show ended up having the longest preview period (182 preview performances) in history.Pennacchio, George. ("''Spider-Man'' musical opens: What critics said" ). ABClocal-KABC, June 14, 2011Hetrick, Adam. ("Troubled ''Spider-Man Turn Off the Dark'' Delays Broadway Opening Again" ). ''Playbill''. January 13, 2011. Retrieved January 15, 2011.''Spider-Man: Turn Off the Dark'' officially opened on June 14, 2011.Gans, Andrew. (Believe It or Not! Spider-Man Turn Off the Dark Opens on Broadway June 14" ). Playbill.com, June 14, 2011 Critical reception of the opening was better than for the original version, but mixed at best, with praise for the visual effects but little enthusiasm for the book and score. ''Spider-Man: Turn Off the Dark'' is the most expensive Broadway production in history, and also once held the box office record for Broadway sales in one week, taking in $2.9 million over nine performances.The show’s Broadway run concluded on January 4, 2014.== Description ==Although often described as a rock musical, the production "treads new ground" that some commentators have asserted "have effectively distanced it from its peers—and caused some confusion when it comes time to describe the show."Marshall, Rick. ("Bono Calls 'Spider-Man' Musical 'Pop-Up, Pop-Art Opera': U2's The Edge describes Broadway's 'Turn Off the Dark' as 'something that hasn't been done before." ). MTV.com. November 30, 2010. Retrieved December 6, 2010. The Edge stated that he is unsure of what description to use for the production, because "It is elements of rock and roll, it's elements of circus, it's elements of opera, () of musical theater." Bono, admitting that his description is a little "pretentious," has referred to it as "pop-up, pop-art opera," noting that Julie Taymor is calling it a "rock-and-roll circus drama."Bernardin, Marc. ("The 'Spider-Man' musical: A 'circus rock-n-roll drama'? Really?" ). ''Entertainment Weekly''. March 27, 2009. Retrieved December 6, 2010. Bono has also described the production as "wrestling with the same stuff" as "Rilke, Blake, ''Wings of Desire'', Roy Lichtenstein, () the Ramones."Wieseltier, Leon. ("Excellent New Art" ). ''The New Republic''. January 12, 2011. Retrieved January 21, 2011. A ''60 Minutes'' CBS special stated that it is being called a "comic book rock opera circus," although in that segment Bono noted that even using "rock" to describe the music is too narrow a description, because "We've moved out of the rock and roll idiom in places into some very new territory for us ... () big show tunes and dance songs."("A Peek At Spider-Man, The Musical" ). CBS.com. November 28, 2010. Retrieved December 6, 2010.The production was described early on as "the most technically complex show ever on Broadway, with 27 aerial sequences of characters flying" and engaging in aerial combat. The production not only features high-flying stunts, but also includes a "multitude of moving set pieces that put the audience in the middle of the action," and enough projections onto giant screens that Bono has said that it is like a three-dimensional graphic novel. The original story treated the origins of Spider-Man similarly to the story in the 2002 film, but wove in an involved story about a villain based on the mythological Arachne. A "geek chorus" of four teenagers narrated the story. In the rewritten version, the plot hews closer to the comic book and film and trims and transforms the role of Arachne into a "kindred spirit in Spider-Man’s dreams".Marks, Peter. ("Theater: ''Spider-Man: Turn Off the Dark'' ). ''The Washington Post'', June 14, 2011 Though the character of Arachne does not appear in the comic, a superheroine, named Julia Carpenter, uses this alias. It's possible that Arachne was loosely based on her.」の詳細全文を読む
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